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Posted under Links by admin 08.12.2009
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Revolutionary Road
Love, it’s a curious thing. When it’s fresh it is new, it is exciting and you wake up every morning just aching to spend another day with the person you love. Then you get married, have kids perhaps and things change. You fight. You fight over NOTHING. You grow to loathe the person you used to love to wake up next to. The world closes in on you and things don’t seem the same anymore. You daydream about what life used to be like, how much love you used to be in and ask yourself - what happened??? Frank and April Wheeler meet and fall in love at a party. They talk about how their lives are going to be extraordinary and they are going to be different. They are going to live in Paris. They are never going to be “those people” in the suburbs. That isn’t what life has in store for them. However life happens, April gets pregnant and they have to settle for a life more ordinary than they had planned for with the promise that someday, they will return to their dreams and complete them.The Wheeler’s dreams do not ever become reality and as the bleak expanse of life stretches out ahead of April she decides to reach out for her personal brass ring and convince Frank that they are better than their home on Revolutionary Road and Frank’s job with his father’s company and are meant for the greatness that they once talked about having in Paris. April quickly begins to hope again that not only will her life change to what it should have been but that her and Frank will fall back in love again. Frank falls in love with the idea and agrees to go, but has reservations about leaving the job he hates but that gives him a purpose in life. The plans are only a temporary band-aid as their glass house of dreams tumble around them and become a shattered illusion of what it used to be.This movie is not one that you will send your entire family to see - or even your good friends. It isn’t one that everyone will get or even WANT to get. However, this movie will tear out the heart of the people that have been in a relationship that has gone sour and were powerless to stop it. You try everything to stop the inevitable train wreck you see coming but yet, it still ends in a fiery crash and you stand and wonder how your life could end up this way. That’s Frank and April and you will come to love and hate them by the end of this movie.The acting in this movie is beyond amazing because it’s simple and not overdone by the lead actors. Many things are not ever said - nor needed to be said - and were played with a flick of emotion across the face. I watched this movie expecting Kate to be the one to blow me away as usual and was shocked when it was Leo that knocked my socks off. I felt little sympathy for Frank in the novel but in the movie he plays him so well you can’t help but feel sorry for him. I must mention that the supporting roles in this movie are nothing to sneeze at as well.If you are looking for a wholesome family movie that will melt your heart, this isn’t it. However, if you are willing to deal with a bit of stark reality - this is the movie for you. It rocked me harder than American Beauty ever did.
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Posted under Links by admin 16.11.2009
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Posted under Links by admin 05.10.2009
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Posted under Links by admin 03.10.2009
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My Brother Jack
This was a great story really well told. I read the book years ago. When I saw it was being turned into a mini set I was a bit worried that it wouldn’t really work that well. However the harshness of the central character’s father is well represented by William McInnes.
Posted under Links by admin 26.07.2009
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Katherine Heigl
Nudity Rating: 
MrSkin.com has:
17 Pics, 75 Clips
To quote former boyfriend (and frequent Tiger Beat cover fodder) Joey Lawrence, “Whoa!” Katherine Heigl is one hot little momma who is humongous in two very important places. Kat first caught the eyes of skinthusiasts in My Father the Hero (1994), spending the majority of the movie in a skimpy… >>> read more
See her full Review, Pics and Clips!!!
Posted under Links by admin 15.07.2009
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Human Touch
I feel the title ‘Human Touch’ itself is misleading. Upon hearing its title and reading its synopsis, I was misled into thinking that the film would be a simple story about how touch is important in our lives. But how far it is from the truth. If the title was not meant to be intentionally misleading, I thought it would be far more apt to name it ‘The Human Touch’ because it is really more about humanity than anything else. But then again, if director Paul Cox really named it that way, not many people would even bother to see it in the first place. I would, for one, dismiss it as yet another existentialist arty-farty piece of crap that nobody can understand.Human Touch is of course existentialist art-house fare, but it is also something else altogether. Because it doesn’t purport to know anything about the mystery that is ourselves, nor does it have any theory of the reason of our existence. It too, like us, is seeking in understanding further just exactly what makes us tick, and how we can simply be, after we inherited millions of years of culture. And this shared culture, is so vast and inexplicable, that we simply call it ‘humanity’. But what is ‘humanity’? And does anyone even understand any cornerstone of it? In this way, the film’s provocative nature reaches into many beings of humanity. From the arts, history and religion, to our bodies, morals and emotions like affection and lust, it never ceases to probe and question just what drives us to do things a certain way that other creatures would not do. And how our surroundings and our history binds us together and affect us collectively and yet, splintering us in many different directions and personalities.But the film never engages into verbose intellectualizing a la many French New Wave directors who just get lost in a world of their own by talking and talking about theories and never managing to shut up. This film has a heavy anchor by the very real people in the film and their relationships, such that every decision they make and every emotion they feel, doesn’t help us any better in understanding their, say, ‘character design’, but only manages to open up more vistas of the mystery that is us.This is wholly because the film doesn’t seem to be theoretical. In fact, it is far from theoretical, its people often seemingly idiosyncratic and unfathomable but always very plausible. It explores all these questions not by theorizing like most art house directors do, but rather by allowing us to experience. Not unlike Tarkovsky, whose great work similarly explores humanity by framing mankind’s actions against our surroundings and nature, the scenes in this movie are not linked by logical linearity or emotion, but rather through ambient noise. From the ancient stalactite caves that echo with baby cries and church bells to the great emotions within people ringing with rapturous choral voices, this film puts us through experiences that connects us–rather than alienate us–and makes us part of a far greater whole - mankind.For what my young eyes and ears can see and hear is little, and bound by my limited sensory capabilities; what sadness or happiness I feel is bound by my shallow experiences in life; what ideas and concrete thoughts I can construe is bound by my fundamental education and understanding of the world. But what connects us all, and can only be reached through intuition, is the spark that the creator puts in all of us, that separates us from the other creatures and the inanimate - the human soul. And this movie touches so unflinchingly on this shared human nerve, that all that I am made of is not as important as what I am part of. Where I share the same blood as generations of creatures who have come into consciousness of themselves and the womb surrounding them.It is what I enjoy finding in cinema, that if any one moment can touch on this what I perceive as the human soul, then that is worth sitting through piles of crap for. For the human soul–the truth, as what more philosophical people would call it–is worth every inch of living for. And this movie uncannily hones in to this same nerve that we all share and quiver for, and holds on to it unflinchingly. True, it may not have been genuinely successful in every inch of its celluloid film. And I would be hard-pressed to say it is good for its individual technical parts. But what little the film understands about its subject matter, it knows this: that most reasoning and emotion cannot bring anyone as close to the human soul as raw intuition. And the intuitive power it brings to screen by merely seeking the human soul, and by large, finding it, is all that matters and all that makes it a truly truly great film.
Posted under Links by admin 29.06.2009
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